Research : What is a puppet?

A puppet is an inanimate object or representational figure animated or manipulated by a puppeteer. It is used in puppetry, which is a very ancient form of theatre.

There are many different varieties of puppets, and they are made of a wide range of materials, depending on their form and intended use. They can be extremely complex or very simple in their construction.

Origin

Puppetry was practised in Ancient Greece and the oldest written records of puppetry can be found in the works of Herodotus and Xenophon, dating from the 5th century BC. The Greek word translated as "puppet" is "νευρόσπαστος" (nevrospastos), which literally means "drawn by strings, string-pulling", from "νεῦρον" (nevron), meaning either "sinew, tendon, muscle, string", or "wire", and "σπάω" (spaō), meaning "draw, pull".

Evidence of puppetry

Aristotle (384–322 BC) discusses puppets in his work On the Motion of Animals.

The movements of animals may be compared with those of automatic puppets, which are set going on the occasion of a tiny movement; the levers are released, and strike the twisted strings against one another.

In India puppetry was practised from ancient times and is known by different names in different parts of the country. Excavation of clay dolls from Indus valley sites serve as an indication. The art of puppetry called Bommalattam is mentioned in Tamil literature Silappadikaram, which is written around 2nd century B.C.

Types of puppetry

Puppetry by its nature is a flexible and inventive medium, and many puppet companies work with combinations of puppet forms, and incorporate real objects into their performances. They might, for example, incorporate "performing objects" such as torn paper for snow, or a sign board with words as narrative devices within a production. The following are, alphabetically, the basic and conventional forms of puppet:

Black light puppet

The black light puppet is a form of puppetry where the puppets are operated on a stage lit only with ultraviolet lighting, which both hides the puppeteer and accentuates the colours of the puppet. The puppeteers perform dressed in black against a black background, with the background and costume normally made of black velvet. The puppeteers manipulate the puppets under the light, while they position themselves unseen against the black unlit background. Controlling what the audience sees is a major responsibility of any puppeteer, and blacklight lighting provides a new way of accomplishing this. Puppets of many sizes and types may be used, and glow brightly. The original concept of this form of puppetry can be traced to Bunrakupuppetry.

Bunraku puppet

The bunraku puppets are a type of wood-carved puppet originally made to stand out through torch illumination. Developed in Japan over a thousand years ago and formalised and combined with shamisen music at the end of the 16th century, the puppeteers dress to remain neutral against a black background, although their presence as kind of 'shadow' figures adds a mysterious power to the puppet. Bunraku traditionally uses three puppeteers to operate a puppet that varies from 1/3 to 1/2 life size.

Carnival or body puppet

Carnival puppets (AKA body puppets) are usually designed to be part of a large spectacle. These are often used in parades (such as the Mayday parade in Minneapolis, United States) and demonstrations, and are at least the size of a human and often much larger. One or more performers are required to move the body and limbs. In parades, the appearance and personality of the person inside is not relevant to the spectator. These puppets are particularly associated with large scale entertainment, such as the nightly parades at various Disney complexes around the world. Similar puppets were designed by Julie Taymor for The Lion King.

Finger puppet

The finger puppet is an extremely simple puppet variant which fits onto a single finger. Finger puppets normally have no moving parts, and consist primarily of a hollow cylinder shape to cover the finger. This form of puppet has limited application, and is used mainly in pre-schools or kindergartens for storytelling with young children.

Sock puppet

The sock puppet is a puppet formed from a sock and operated by inserting one's hand inside the sock. One then moves his hand up and down to give the impression of speaking. Sometimes eyes and other factors are added to the sock in order to make the puppet more realistic. Sock puppets are also popular in many puppet performances, as they are simple to make and easy to use. They are mostly used in satirical or children's works, as they are not very professional.

Hand puppet or glove puppet

The hand puppet (AKA glove puppet) are puppets controlled by one hand which occupies the interior of the puppet. The Punch and Judy puppets are familiar examples of hand puppets. Larger varieties of hand puppets place the puppeteer's hand in just the puppet's head, controlling the mouth and head, and the puppet's body then hangs over the entire arm. Other parts of the puppet (mainly arms, but special variants exist with eyelids which can be manipulated; the mouth may also open and close) are usually not much larger than the hand itself. A sock puppet is a particularly simple type of hand puppet made from a sock.

Human-arm puppet

Also called a "two-man Muppet" or a "live-hand puppet", the human-arm puppet it is similar to a hand puppet but is larger and requires two puppeteers. One puppeteer places a hand inside the puppet's head and operates its head and mouth while putting their other arm into a glove and special sleeve attached to the puppet (the right arm if they are left handed and left arm if they are right handed). The second puppeteer puts their arm into the glove and special sleeve attached to the puppet in order to operate the other puppet's arms. This way, the puppet can perform arbitrary hand gestures. This is a form of glove or hand puppetry and rod puppetry.

Light curtain puppet

The light curtain puppet presentations use specifically focused light to highlight small areas of a performance, allowing the puppet to be seen while the manipulators remain invisible. The puppets stand on a stage divided into an unlit background and a well-lit foreground, meeting to form a "curtain" of light. The puppeteer dresses in black and remains hidden in the unlit background of the stage while the puppet is held across the light curtain in the lit foreground of the stage. "Light curtain puppet" is an umbrella term, and any puppet which is extended into a well-lit area where its handler remains separated from the puppet by a division of light may be called a light curtain puppet.

Marionette

Marionettes, or "string puppets," are suspended and controlled by a number of strings, plus sometimes a central rod attached to a control bar held from above by the puppeteer. The control bar can be either a horizontal or vertical one. Basic strings for operation are usually attached to the head, back, hands (to control the arms) and just above the knee (to control the legs). This form of puppetry is complex and sophisticated to operate, requiring greater manipulative control than a finger, glove or rod puppet. The puppet play performed by the Von Trapp children with Maria inThe Sound of Music is a marionette show.

 

Marotte

The marotte is a simplified rod puppet that is just a head and/or body on a stick. In a marotte à main prenante, the puppeteer's other arm emerges from the body (which is just a cloth drape) to act as the puppet's arm. Some marottes have a small string running through the stick attached to a handle at the bottom. When the handle is squeezed, the mouth opens.

Pull string puppet

A pull string puppet is a puppet consisting of a cloth body where in the puppeteer puts his/her arm into a slot in the back and pulls rings on strings that do certain tasks such as waving or moving the mouth.

     Push puppet

A push puppet consists of a segmented character on a base which is kept under tension until the button on the bottom is pressed. The puppet wiggles, slumps and then collapses, and is usually used as a novelty toy.

Toy theatre

The toy theatre is a puppet cut out of paper and stuck onto card. It is fixed at its base to a stick and operated by pushing it in from the side of the puppet theatre. Sheets were produced for puppets and scenery from the 19th century for children's use.

Rod puppet

A rod puppet is a puppet constructed around a central rod secured to the head. A large glove covers the rod and is attached to the neck of the puppet. A rod puppet is controlled by the puppeteer moving the metal rods attached to the hands of the puppet, any other limbs and by turning the central rod secured to the head.

Shadow puppet

A shadow puppet is a cut-out figure held between a source of light and a translucent screen. Shadow puppets can form solid silhouettes or be decorated with various amounts of cut-out details. Colour can be introduced into the cut-out shapes to provide a different dimension and different effects can be achieved by moving the puppet (or light source) out of focus. Javanese shadow puppets known as Wayang Kulit are the classic example of this. In China, it became popular from Song Dynasty.

Supermarionation

Supermarionation is a method invented by Gerry Anderson which assisted in his television series Thunderbirds in electronically moving the mouths of marionettes to allow for lip-synchronised speech. The marionettes were still controlled by human manipulators with strings.

Ticklebug

A Ticklebug is a type of hand puppet created from a human hand to have four legs, where the puppet features are drawn on the hand itself. The middle finger is lifted as a head, and the thumb and forefinger serve as a first set of two legs on one side, while the ring finger and little finger serve as a second set of two legs on the opposite side.

Table top puppet

A table top puppet is a puppet usually operated by rod or direct contact from behind, on a surface similar to a table top (hence the name). Shares many characteristics with Bunraku.

Ventriloquism dummy

The Ventriloquist's Dummy is a puppet operated by a ventriloquist performer to focus the audience's attention from the performer's activities and heighten the illusions. They are called dummies because they do not speak on their own. The ventriloquist dummy is controlled by the one hand of the ventriloquist. Such acts aren't always performed with a traditional dummy, occasionally using other forms of puppetry.

Starting idea's discussion and interests for inspiration

Me (Deborah Chapman) and Mark McGreehin have decided to do a collaboration project this semester involving us making puppets in some form and documenting our work process and performance.

I've been given the task of blogging the project and updating with our process in some digital manner through this blog which will have photography, audio and progress videos.
We decided to do this project after discovering that an interest we have in common is making things especially puppets after growing up as 80's and 90's kids. We always found our selves quoting 'Labyrinth' and 'Dark Crystal' which were favourites of ours and having a love for toys and figures as well as Children's shows.
We then got talking about making a puppets and then a puppet film together which is what this blog will be about.

To start off we we've had a few sessions of just talking about ideas and bouncing off of each other for inspiration as well as what sort of puppets we might like to make. Our discussion's also tried to include some sort of narrative for a type of character as a starting point.

We started to talk about the idea of a type of fairytale or a fable type of storyline where a character or a couple of them might learn some time of lesson or has some type of message. For the first ideas we ended up coming up with a couple of characters that are small and tall. That the contrast would be quite strong visually and that they in turn help each other in some way and learn to accept their differences or help. It did end up sparking lots of situation ideas and narratives for these characters which was really promising.

But we knew that we would need to start researching a lot more to begin to understand how and what ways we could make puppets and what type of puppets are out there. Mark enjoys looking at the project from a more technical aspect such as animatronics and inspiration from Jurassic Park and Yoda as inspiration. Which involve these type of materials such as latex/rubber made puppets with animatronic heads to make expressions and talking. I've not had much experience making puppets but am willing to try out this method if possible and tests of other materials to create them.

We will have to discuss this further and look into more research about what we can achieve as we are trying to make a 3-dimensional character. We are gathering books and DVD's from home and the Uni library as a starting point about puppetry and types of animation. I'll be trying my hand at some character designs and collecting research for a sketchbook.

We also have been documenting our conversations through audio and I've been put in charge of doing audio for the project. I've put together these little short videos with our conversations over the top of photography documenting our project's process.