James Maury "Jim" Henson (September
24, 1936 – May 16, 1990) was an American puppeteer, artist, cartoonist, inventor, screenwriter,
actor, film director and producer, best known as the creator of The Muppets.
As a puppeteer, Henson performed in various television programs, such as Sesame Street and The Muppet
Show, films such as The Muppet
Movie and The Great Muppet Caper, and created
advanced puppets for projects like Fraggle Rock, The Dark
Crystal, and Labyrinth.
He was also an Academy Award-nominated
film director (for his short film Time Piece), Emmy Award-winning
television producer, and the founder of The Jim Henson Company, the Jim Henson Foundation, and Jim Henson's Creature Shop. Henson died on
May 16, 1990, of organ failure resulting from a Group A streptococcal infection caused by Streptococcus pyogenes.
Henson was born in Greenville, Mississippi, and raised in Leland, Mississippi and Hyattsville, Maryland. He was
educated at University of Maryland, College Park,
where he created Sam and
Friends as a
freshman. After suffering struggles with programs that he created, he
eventually found success with Sesame Street.
During this time, he also contributed to Saturday Night Live. The success of Sesame
Street spawned The
Muppet Show, which featured Muppets created by Henson. He also
co-created with Michael
Jacobs the television
show Dinosaurs during his final years.
He later remembered the arrival of the
family's first television as "the biggest event of his adolescence,"having
been heavily influenced by radio ventriloquist Edgar Bergen and the early televisionpuppets of Burr
Tillstrom (on Kukla, Fran, and Ollie) and Bil and Cora Baird.[4]
In 1954 while
attending Northwestern High School,
he began working for WTOP-TV, creating puppets for a Saturday morning
children's show calledThe Junior Morning Show. After graduating from
high school, Henson enrolled at the University of Maryland, College Park, as a studio arts major, thinking he might become a
commercial artist. A
puppetry class offered in the applied arts department introduced him to the
craft and textiles courses in the College of Home
Economics, and he graduated in 1960 with a BS in home economics. As
a freshman, he had been asked to create Sam and
Friends, a 5-minute puppet show for WRC-TV. The characters on Sam and Friends were forerunners of Muppets,
and the show included a prototype of Henson's most famous character: Kermit the
Frog.Henson would remain at WRC for seven years from 1954 to 1961.
"Among the first of his assignments at WRC was Afternoon, a magazine show
aimed at housewives. This marked his first collaboration with Jane Nebel—the
woman who later became his wife"
Technique
In the show, he began
experimenting with techniques that would change the way puppetry had been used
on television, including using the frame defined by the camera shot to allow
the puppeteer to work from off-camera. Believing that television puppets needed
to have "life and sensitivity,"Henson began making characters from
flexible, fabric-covered foam rubber,
allowing them to express a wider array of emotions at a time when many puppets
were made of carved wood. A marionette's
arms are manipulated by strings, but Henson used rods to move his Muppets'
arms, allowing greater control of expression. Additionally, Henson wanted the
Muppet characters to "speak" more creatively than was possible for
previous puppets—which had seemed to have random mouth movements—so he used
precise mouth movements to match the dialogue.
When Henson began
work on Sam and Friends,
he asked fellow University of Maryland sophomore Jane Nebel to assist him. The show was a
financial success, but after graduating from college, Henson began to have
doubts about going into a career as a puppeteer. He wandered off to Europe for
several months, where he was inspired by European puppeteers who look on their
work as an art form.
Upon Henson's return to the United States, he and Jane began dating. They
were married in 1959 and had five children, Lisa (b. 1960), Cheryl (b. 1961),
Brian (b. 1963), John (b. 1965), and Heather (b. 1970).
The Muppet Show featured Kermit as
host, and a variety of other memorable characters, notably Miss Piggy, Gonzo the
Great, and Fozzie Bear.
Kermit's role on The Muppet Show was often compared by his co-workers
to Henson's role in Muppet Productions: a shy, gentle boss with "A whim of
steel" who "[ran]
things as firmly as it is possible to run an explosion in a mattress factory." Caroll
Spinney, the puppeteer of Big Bird and Oscar the
Grouch, remembered that Henson "would never say he didn't like
something. He would just go 'Hmm.' That was famous. And if he liked it, he
would say, 'Lovely!' "Henson himself recognized Kermit as an alter-ego,
though he thought that Kermit was bolder than him; he once said of the
character, "He can say things I hold back."
Jim Henson was the
performer for several well known characters, including Kermit the
Frog, Rowlf the Dog, Dr. Teeth, the Swedish Chef, Waldorf, Link Hogthrob,
and Guy Smiley.
In 1982, Henson founded the Jim Henson Foundation to
promote and develop the art of puppetry in the United States. Around that time, he began creating darker and
more realistic fantasy films that did not feature the Muppets and displayed
"a growing, brooding interest in mortality." With 1982's The Dark
Crystal, which he co-directed with Frank Oz and co-wrote,
Henson said he was "trying to go toward a sense of realism—toward a
reality of creatures that are actually alive [where] it's not so much a symbol
of the thing, but you're trying to [present] the thing itself." To provide a visual style distinct
from the Muppets, the puppets in The Dark Crystal were based on conceptual artwork by Brian Froud.
The Dark Crystal was a financial and
critical success and, a year later, the Muppet-starring The Muppets Take Manhattan (directed by Frank Oz) did fair
box-office business, grossing $25.5 million domestically and ranking as
one of the top 40 films of 1984.
However, 1986's Labyrinth,
a Crystal-like fantasy that Henson directed by himself, was
considered (in part due to its cost) a commercial disappointment. Despite some
positive reviews (The New York Times called it "a fabulous film"), the commercial failure of Labyrinth demoralized Henson to the point that
son Brian Henson
remembered the time of its release as being "the closest I've seen him to
turning in on himself and getting quite depressed." The film later became a cult classic.
Me and Mark have both grown up with Jim Henson's creations greatly in television and film so it seemed fitting that we looked into his work and techniques with much inspiration. We both have studied and researched much about his puppet creations from his more simple but effective 'Muppets' to his animatronic expressive puppets. We have looked into the behind the scenes for the 'Dark Crystal' and 'Labyrinth' as a starting point as there is many techniques that are performed in each films.
The reason we have been looking into these certain examples is because we both got really excited to create a fantastical creature or story based in an imaginary setting. And we were in much discussion which we have been recording the audio of our ideas and plots as well as characters and purpose. So our first ideas had a more fairytale like quality and purpose which I will post soon.
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