Development: Week of filming for final day 2/3 : Sound studio

We did do our second day in the green screen room just for some extra shots in case our locations didn't work our well and for lighting. Mark said their was some quality issues with how the puppets looked on the high tek cameras with the green screen but eventually we found out this could be due to white balance from Malcolm. But we collected some more footage from their anyway and Mark said he would try to make it look better in the editing stages using premier. We went ahead the next day continuing filming again in the sound studio to do more conversations and because we knew how to get the lighting better with the Panasonic PMW EX1 from out tests.

We also found it easier to keep the puppets in position without help from an extra person working the camera or direction by placing the puppets on some spare lighting stands. This helped us keep the shot better while we could alter the camera settings and place the lighting differently and communicate with each other on how it looked. Also if we were in shot and hiding successfully and giving our arms a break.

We also used the laptop for our audio again and used the schedule I made to know what conversations to try out this time from the previous sessions. This also gave us the idea of how to possibly display the puppets for assessment by using some type of stand.

The session went quite well since we managed to get the sound studio booked for a full day and we had got some of the shots as successful as the test one. We now were going to shoot our next location the following day at the Hannah Maclure centre of the university of Abbertay.

Here's a sneak peak from the day of the improved original conversation from the first test.

Research : Artist Jim Henson

James Maury "Jim" Henson (September 24, 1936 – May 16, 1990) was an American puppeteer, artist, cartoonist, inventor, screenwriter, actor, film director and producer, best known as the creator of The Muppets. As a puppeteer, Henson performed in various television programs, such as Sesame Street and The Muppet Show, films such as The Muppet Movie and The Great Muppet Caper, and created advanced puppets for projects like Fraggle Rock, The Dark Crystal, and Labyrinth. He was also an Academy Award-nominated film director (for his short film Time Piece), Emmy Award-winning television producer, and the founder of The Jim Henson Company, the Jim Henson Foundation, and Jim Henson's Creature Shop. Henson died on May 16, 1990, of organ failure resulting from a Group A streptococcal infection caused by Streptococcus pyogenes.

Henson was born in Greenville, Mississippi, and raised in Leland, Mississippi and Hyattsville, Maryland. He was educated at University of Maryland, College Park, where he created Sam and Friends as a freshman. After suffering struggles with programs that he created, he eventually found success with Sesame Street. During this time, he also contributed to Saturday Night Live. The success of Sesame Street spawned The Muppet Show, which featured Muppets created by Henson. He also co-created with Michael Jacobs the television show Dinosaurs during his final years.

He later remembered the arrival of the family's first television as "the biggest event of his adolescence,"having been heavily influenced by radio ventriloquist Edgar Bergen and the early televisionpuppets of Burr Tillstrom (on Kukla, Fran, and Ollie) and Bil and Cora Baird.^[4]

In 1954 while attending Northwestern High School, he began working for WTOP-TV, creating puppets for a Saturday morning children's show calledThe Junior Morning Show. After graduating from high school, Henson enrolled at the University of Maryland, College Park, as a studio arts major, thinking he might become a commercial artist. A puppetry class offered in the applied arts department introduced him to the craft and textiles courses in the College of Home Economics, and he graduated in 1960 with a BS in home economics. As a freshman, he had been asked to create Sam and Friends, a 5-minute puppet show for WRC-TV. The characters on Sam and Friends were forerunners of Muppets, and the show included a prototype of Henson's most famous character: Kermit the Frog.Henson would remain at WRC for seven years from 1954 to 1961. "Among the first of his assignments at WRC was Afternoon, a magazine show aimed at housewives. This marked his first collaboration with Jane Nebel—the woman who later became his wife"

Technique

In the show, he began experimenting with techniques that would change the way puppetry had been used on television, including using the frame defined by the camera shot to allow the puppeteer to work from off-camera. Believing that television puppets needed to have "life and sensitivity,"Henson began making characters from flexible, fabric-covered foam rubber, allowing them to express a wider array of emotions at a time when many puppets were made of carved wood. A marionette's arms are manipulated by strings, but Henson used rods to move his Muppets' arms, allowing greater control of expression. Additionally, Henson wanted the Muppet characters to "speak" more creatively than was possible for previous puppets—which had seemed to have random mouth movements—so he used precise mouth movements to match the dialogue.

When Henson began work on Sam and Friends, he asked fellow University of Maryland sophomore Jane Nebel to assist him. The show was a financial success, but after graduating from college, Henson began to have doubts about going into a career as a puppeteer. He wandered off to Europe for several months, where he was inspired by European puppeteers who look on their work as an art form. Upon Henson's return to the United States, he and Jane began dating. They were married in 1959 and had five children, Lisa (b. 1960), Cheryl (b. 1961), Brian (b. 1963), John (b. 1965), and Heather (b. 1970).

The Muppet Show featured Kermit as host, and a variety of other memorable characters, notably Miss Piggy, Gonzo the Great, and Fozzie Bear. Kermit's role on The Muppet Show was often compared by his co-workers to Henson's role in Muppet Productions: a shy, gentle boss with "A whim of steel" who "[ran] things as firmly as it is possible to run an explosion in a mattress factory." Caroll Spinney, the puppeteer of Big Bird and Oscar the Grouch, remembered that Henson "would never say he didn't like something. He would just go 'Hmm.' That was famous. And if he liked it, he would say, 'Lovely!' "Henson himself recognized Kermit as an alter-ego, though he thought that Kermit was bolder than him; he once said of the character, "He can say things I hold back."

Jim Henson was the performer for several well known characters, including Kermit the Frog, Rowlf the Dog, Dr. Teeth, the Swedish Chef, Waldorf, Link Hogthrob, and Guy Smiley.

In 1982, Henson founded the Jim Henson Foundation to promote and develop the art of puppetry in the United States. Around that time, he began creating darker and more realistic fantasy films that did not feature the Muppets and displayed "a growing, brooding interest in mortality." With 1982's The Dark Crystal, which he co-directed with Frank Oz and co-wrote, Henson said he was "trying to go toward a sense of realism—toward a reality of creatures that are actually alive [where] it's not so much a symbol of the thing, but you're trying to [present] the thing itself." To provide a visual style distinct from the Muppets, the puppets in The Dark Crystal were based on conceptual artwork by Brian Froud.

The Dark Crystal was a financial and critical success and, a year later, the Muppet-starring The Muppets Take Manhattan (directed by Frank Oz) did fair box-office business, grossing $25.5 million domestically and ranking as one of the top 40 films of 1984. However, 1986's Labyrinth, a Crystal-like fantasy that Henson directed by himself, was considered (in part due to its cost) a commercial disappointment. Despite some positive reviews (The New York Times called it "a fabulous film"), the commercial failure of Labyrinth demoralized Henson to the point that son Brian Henson remembered the time of its release as being "the closest I've seen him to turning in on himself and getting quite depressed." The film later became a cult classic.

Me and Mark have both grown up with Jim Henson's creations greatly in television and film so it seemed fitting that we looked into his work and techniques with much inspiration. We both have studied and researched much about his puppet creations from his more simple but effective 'Muppets' to his animatronic expressive puppets. We have looked into the behind the scenes for the 'Dark Crystal' and 'Labyrinth' as a starting point as there is many techniques that are performed in each films.

The reason we have been looking into these certain examples is because we both got really excited to create a fantastical creature or story based in an imaginary setting. And we were in much discussion which we have been recording the audio of our ideas and plots as well as characters and purpose. So our first ideas had a more fairytale like quality and purpose which I will post soon.